Over the past five centuries, composers as early as in their 30s or as late as in their 80s have found new forms of expression in the final stages of life. Still more interesting, the changes are not consistent from composer to composer: some became more concise, others more expansive. Some composers became fixated on.
In case you missed any PCMS concert reviews this fall, we’ve compiled them in chronological order below. Mezzo-soprano goes her own way | David Patrick Stearns | The Philadelphia Inquirer Magdalena Kožená and Malcolm Martineau | October 13 | Perelman Theater Artistry from Kožená and Martineau | Bernard Jacobson | Seen and Heard International Magdalena Kožená.
As a prelude to the Modigliani Quartet’s performance of Dvořák’s “American” quartet, guest blogger Adam Gingery of Backstage Podcast considers the composer’s musical and cultural influence on the U.S. Dvořák came to the U.S. a simple man. He loved music, he loved his family, and he loved pigeons. He also loved his Bohemian homeland, from.
Pianist Lydia Artymiw is no stranger to the PCMS family. After growing up and studying in Philadelphia, she has had an exceptional career performing all over the world. Ms. Artymiw is a Distinguished McKnight Professor of Piano at the University of Minnesota, where she was granted the 2015 “Excellence in Graduate Teaching” Award. Amidst her teaching and performance schedule,.
Anna Polonsky returns with her husband, Orion Weiss, piano, marking their duo-recital debut with PCMS on Sunday, October 23rd. Ms. Polonsky is a recipient of a Borletti-Buitoni Trust Fellowship in 2003 and the Andrew Wolf Chamber Music Award in 2011. I recently spoke with her about the duo’s upcoming program, her experience at Curtis, upcoming.
Being immersed in the daily work at PCMS, I have begun to memorize the artists, programs, dates and venues of the 2016/17 Season. In becoming familiar with these concerts, there are a number that I am particularly excited about. As a cellist, I am looking forward to a recital by one of my favorite artists,.
To help you revisit your favorite spring performances, following is a listing of PCMS concert reviews from late March through May. Read what our area critics had to say about no less than 13 memorable events. A deft pairing of voice and guitar: David Patrick Stearns of the Philadelphia Inquirer on Isabel Leonard and Sharon Isbin (March 29.
The Master Class Series this season was filled with a wonderful diversity of experiences for the students that were involved. And any audience members who attended these classes were offered an enhanced understanding of how sound is formed and shaped through the distinct techniques that various instruments employ to communicate ideas. In fact, this was.
The Aizuri Quartet, currently the Quartet in Residence at the Curtis Institute of Music, makes their PCMS debut on Wednesday, May 18. This sold-out performance features guest pianist Ignat Solzhenitsyn performing the Philadelphia premiere of Anatoly Drozdov’s Piano Quintet in A Minor. I spoke with the Aizuri’s cellist, Karen Ouzounian (center left), about their upcoming.