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Benjamin Beilman, violin

Overview

Benjamin Beilman is recognized as one of the fastest rising stars of his generation, winning praise both for his passionate performances and deep rich tone which the Washington Post called “mightily impressive,” and The New York Times described as “muscular with a glint of violence.” The Times also praised his “handsome technique, burnished sound, and quiet confidence which showed why he has come so far so fast.” Following his First Prize win at the Montreal Competition, the Strad described his performance of the Sibelius Violin Concerto as “pure poetry.”

Highlights of Mr. Beilman’s 2017-18 season include performances with the Houston Symphony, Oregon Symphony, North Carolina Symphony, Indianapolis Symphony, and Orchestra St. Luke’s, as well as a multi-city tour of California play-directing the New Century Chamber Orchestra in a program including Bach, Stravinsky, and Andrew Norman. In recital, he will premiere a new work written for him by Frederic Rzewski and commissioned by Music Accord, presented by Boston Celebrity Series and Shriver Hall, and on tour throughout the US in the 17-18 and 18-19 seasons. Abroad, Mr. Beilman will make his Australian concerto debut with the Sydney Symphony where he will perform Jennifer Higdon’s Concerto, and debuts with the Scottish Chamber Orchestra and Trondheim Symphony. He will also perform the European premiere of Frederic Rzewski’s new work at the Heidelberg Spring Festival, and return to the Wigmore Hall in recital.

In the 16-17 season, Mr. Beilman returned to the Philadelphia Orchestra performing Prokofiev’s Violin Concerto No. 1 with Yannick Nézet-Séguin in subscription, and on tour with the orchestra at Carnegie Hall. He also premiered a new work by Elizabeth Oganek as soloist on the Chicago Symphony’s new music series, and returned to the San Francisco Symphony with Juraj Valčuha. He performed with the Symphony orchestras of Detroit, San Diego, Atlanta, and Grand Rapids, as well as making recital debuts in San Francisco and Vancouver. In Europe, Mr. Beilman has performed with many of the major orchestras including the London Philharmonic, Frankfurt Radio Symphony and Zurich Tonhalle, and in 16-17 made his debut with the Rotterdam Philharmonic and Krzysztof Urbański, the City of Birmingham Symphony and Vassily Sinaisky, and the Orchestre National de Capitole de Toulouse and Rafael Payare. He also appeared in recital on a ten-city tour of Australia – including debut appearances in Sydney and Melbourne.

In recent seasons, Mr. Beilman has appeared in subscription with the Philadelphia Orchestra, and returned to play with them at the Bravo! Vail Valley Festival, and Saratoga. He also made his recital debuts at the Berlin Philharmonie, and at Carnegie Hall, in a program that included the premiere of a new work by David Ludwig commissioned for him by Carnegie Hall. Further recital appearances include performances at the Verbier Festival, Heidelberg Spring Festival, Louvre, Tonhalle Zürich, Wigmore Hall, and Festpiele Mecklenburg-Vorpommern. Mr. Beilman has also previously performed with Tonhalle Orchester Zürich and Sir Neville Marriner, l’Orchestre Métropolitain de Montréal and Yannick Nézet-Séguin, and the Malaysian Philharmonic and Hans Graf.

Mr. Beilman has received several prestigious awards including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant and a London Music Masters Award. In 2010 he won the First Prize in the Young Concert Artists International Auditions, and as First Prize Winner of the 2010 Montréal International Musical Competition and winner of the People’s Choice Award, Beilman recorded Prokofiev’s complete sonatas for violin on the Analekta label in 2011. In 2016 he released his first disc for Warner Classics titled Spectrum, featuring works by Stravinsky, Janacek and Schubert.

Mr. Beilman studied with Almita and Roland Vamos at the Music Institute of Chicago, Ida Kavafian and Pamela Frank at the Curtis Institute of Music, and Christian Tetzlaff at the Kronberg Academy. Mr. Beilman plays the “Engleman” Stradivarius from 1709 generously on loan from the Nippon Music Foundation.

"He has become an artist of firm ideas expressed with great polish."

-The Philadelphia Inquirer

Benjamin Beilman, Pamela Frank & Stefan Jackiw, violins; Jeremy Denk, piano

Tuesday, December 11, 2018 - 7:00 PM

Perelman Theater, Kimmel Center, 300 South Broad Street
Philadelphia, PA 19102

The Program

A Feast of Mozart Violin Sonatas with Assorted Musical Sorbets

Please note this concert begins at 7:00 PM and features three hour-long performances with two 15-minute breaks.
 
Denk & Beilman
L. Mozart: Notebook for W.A. Mozart [Sel.]
Mozart: Violin Sonata in C Major, K. 6
Ravel:  Violin Sonata: Allegretto
Mozart: Violin Sonata in G Major, K. 301
Adams: Road Movies: Movement I
Mozart: Violin Sonata in D Major, K. 306
 
Denk & Jackiw
Handel: Violin Sonata in D Major, Op. 1, No. 13 [Sel.]
Mozart:  Violin Sonata in G Major, K. 379 [Sel.]
Stravinsky: Duo Concertante [Sel.]
Mozart: Violin Sonata in B-flat Major, K. 378
 
Denk & Frank
Mozart: Violin Sonata in A Major, K 305
Webern: 4 Pieces for Violin and Piano
Mozart: Violin Sonata in E Minor, K. 304
Schubert: Sonatina in A Minor, D. 385: Allegro
Mozart: Violin Sonata in A Major, K. 526
 
This concert is supported by Grant Greapentrog.

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Benjamin Beilman, violin and Andrew Tyson, piano

Date: Friday, April 8, 2016 - 8:00 PM

Location: Perelman Theater, Kimmel Center, 300 South Broad Street
Philadelphia, PA 19102

Mozart: Violin Sonata in G Major, K. 301
Mozart: Violin Sonata in E Minor, K. 304
Janáček: Violin Sonata, JW VII/7
Janáček: Dumka, JW VII/4
Mozart: Violin Sonata in A Major, K. 526

Reserve Free Tickets to a pre-concert panel discussion at 6:15 pm as part of the Philadelphia International Festival of the Arts (PIFA).

String Theory: Exploring the Nature, Craft and Soul of Musical Instruments delves into the material culture of music, exploring the relationship between the things we create and their identity as independent artistic enablers.  Samuel Zygmuntowicz, renowned instrument-maker in New York City, and Will Straw, Professor of Communications in the Department of Art History and Communication Studies at McGill University (Montreal), will examine the constantly-evolving art of violin-making and the unique voice each instrument holds in its design.

Part two of the project will take place before the Takács Quartet concert on Wednesday, April 13th at 6:15 pm.

Produced in partnership with the Kimmel Center as part of the Philadelphia International festival of the Arts.

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Benjamin Beilman, violin and Yekwon Sunwoo, piano

Date: Sunday, March 18, 2012 - 3:00 PM

Location: Philadelphia Museum of Art, 2600 Benjamin Franklin Pkwy
Philadelphia, PA 19130

Mozart: Violin Sonata in B-flat Major, K. 378
Strauss: Violin Sonata in E-flat Major, Op. 18
Rogerson: Once, for Violin and Piano [Philadelphia Premiere]
Prokofiev: Sonata for Solo Violin, Op. 115
Hubay: Fantasie Brillante on Bizet's Carmen, Op. 3, No. 3

New York Times

“Beilman's handsome technique, burnished sound and quiet confidence showed why he has come so far so fast”

The Philadelphia Inquirer

“He has become an artist of firm ideas expressed with great polish.”

The Strad

“...brimming with imaginative touches and exquisite control of the softer end of the dynamic spectrum.”

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