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Edgar Meyer, double bass

Overview

Edgar Meyer emerged in the 1990s as one of the world's most talented string bass players, at home, remarkably, in both the classical repertory and in bluegrass. He is also a composer whose works achieved wide diffusion in the late 1990s; they served as cornerstones in the efforts of Sony to forge new audiences for classical music by offering compositions with a direct, accessible musical language.

Born in Oklahoma City, Meyer was the son of a bass player. When he was two or three years old he started imitating his father by holding a broom, pretending it was a bass. He started learning on a real instrument at five years old, taking lessons from his father. The instrument was a 1933 bass made in Czechoslovakia and in use, hanging from someone's ceiling, as a flower planter. Meyer has said that he grew up with the bass as his primary means of personal expression, and became committed to the instrument so early that he is unable to remember a time when he was not playing it. Later he studied with Stuart Sankey, but still credits his father as his primary teacher. He attended Indiana University, studying with James Buswell. Meyer won numerous competitions and from the beginning forged a crossover career, playing with classical musicians as well as popular and country acts. What steered him toward country music was his encounter, in his early twenties, with the virtuosic and complex progressive bluegrass music of the 1980s, as exemplified by such performers as Sam Bush, Jerry Douglas, and Béla Fleck. He has toured and/or recorded with Garth Brooks, Mary Chapin Carpenter, Hank Williams, Jr., Emmylou Harris, James Taylor, Lyle Lovett, Reba McEntire, Travis Tritt, the Chieftains, the Indigo Girls, Yo-Yo Ma, Paul Shaffer and the CBS Orchestra, Joshua Bell, and Mark O'Connor. From 1986 to 1992 he was a member of a progressive bluegrass band called Strength in Numbers.

He began to compose around 1990, primarily to write down things that had emerged from "noodling around" and improvising, wanting to "codify" them into pieces. He was a regular performer at the Santa Fe Chamber Music Festival from 1985 to 1993, and six of his earliest compositions were intended for performance there. He has composed a double bass concerto, a bass quartet, a work called Trout Variations (based on the Schubert song), a string trio, a violin concerto (premiered and recorded by Hilary Hahn), and a double concerto for bass and cello. Much of his music is influenced by bluegrass and traditional American folk styles. In the late '90s and early 2000s, Meyer became an important participant in the American-flavored crossover albums of cellist Yo-Yo Ma.

Meyer records exclusively for Sony. He is married to violinist Connie Heard; they have one son. He has been a member of the Chamber Music Society of Lincoln Center since 1994, and in that same year became the first bassist to win the Avery Fisher Career Grant.

"Mr. Meyer is not only a legitimate heir to this tradition but also a great energizing factor to the field. His versatility should be celebrated."

-The New York Times

Harold Robinson and Friends

Sunday, December 3, 2017 - 3:00 PM

American Philosophical Society, Benjamin Franklin Hall
427 Chestnut Street
Philadelphia, PA 19106

The Program

Harold Robinson, double bass; Erica Peel, flute/piccolo; Richard Woodhams, oboe; Ricardo Morales, clarinet; Juliette Kang, violin; Che-Hung Chen, viola; Edgar Meyer, double bass

Schulhoff: Concertino for Flute, Viola, and Double Bass
Prokofiev: Quintet, Op. 39
Duos for two double basses TBA

Dover Quartet Philadelphia Concert
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Dover Quartet with Edgar Meyer, double bass

Date: Friday, October 21, 2016 - 8:00 PM

Location: Perelman Theater, Kimmel Center, 300 South Broad Street
Philadelphia, PA 19102

Mozart: Divertimento in D Major, K. 136
Rossini: Duo for Bass and Cello
Dvorak: Quartet in F Major, Op. 96, "American”
Meyer: Quintet for Strings

Edgar Meyer
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Edgar Meyer, bass and Amy Dorfman, piano

Date: Sunday, April 13, 1997 - 3:00 pm

Location: Curtis Institute of Music, 1726 Locust Street
Philadelphia, PA 19103

Program of works by Telemann, Haydn, Bartók, Chopin, and Sarasate, arranged by Meyer and Dorfman

The New Yorker

“The most remarkable virtuoso in the relatively un-chronicled history of his instrument.”

The New York Times

“Mr. Meyer is not only a legitimate heir to this tradition but also a great energizing factor to the field. His versatility should be celebrated.”

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