Bach: The Well-Tempered Clavier, Book I
This performance features a free pre-concert lecture at 6:45 with Elizabeth Morgan
Widely acclaimed as a key figure in the music of our time and as a uniquely significant interpreter of piano repertoire from every age, Pierre-Laurent Aimard enjoys an internationally celebrated career. He performs throughout the world each season with major orchestras under conductors including Esa-Pekka Salonen, Christoph von Dohnányi, Gustavo Dudamel, Nikolaus Harnoncourt and Peter Eötvös. He has been invited to create, direct and perform in a number of residencies, with recent venues including Carnegie Hall, Lincoln Center, Wiener Konzerthaus, Berliner Philharmonie, Opéra de Paris, Lucerne Festival, Mozarteum Salzburg, Cité de la Musique and Southbank Centre –where is Artistic Advisor to a festival celebrating the music of Pierre Boulez. Aimard is also the Artistic Director of the prestigious and historic Aldeburgh Festival where he has just signed on for another three years. Commenting on his directorship, the Financial Times wrote: "Aimard virtually turned the festival on its head. Suddenly Aldeburgh feels less parochial, less precious–and very international."
Born in Lyon in 1957, Pierre-Laurent Aimard studied at the Paris Conservatoire with Yvonne Loriod and in London with Maria Curcio. Early career landmarks included winning first prize in the 1973 Messiaen Competition at the age of 16 and being appointed, three years later, by Pierre Boulez to become the Ensemble intercontemporain's first solo pianist. Aimard has enjoyed close collaborations with many leading composers including Kurtág, Stockhausen, Elliot Carter, Pierre Boulez and George Benjamin and had a long association with György Ligeti, recording his complete works for piano. Through professorships at the Hochschule Köln and Conservatoire de Paris, as well as numerous series of concert lectures and workshops worldwide, he sheds an inspiring and very personal light on music of all periods. In 2009 Aimard was invited to give a series of classes and seminars at the College de France, Paris. He was the recipient of the Royal Philharmonic Society’s Instrumentalist Award in spring 2005 and was named “Instrumentalist of the Year” by Musical America in 2007.
Pierre-Laurent Aimard records exclusively for Deutsche Grammophon. His first DG release, Bach's Art of Fugue, received both the Diapason d'Or and Choc du Monde de la Musique awards, debuted at No. 1 on Billboard's classical chart and topped iTunes’ classical album download chart. In recent years Pierre-Laurent Aimard has been honoured with ECHO Classic Awards, most recently in 2009 for his recording of solo piano pieces, "Hommage í Messiaen" and was also presented with Germany’s Schallplattenkritik “Honorary Prize” the same year. His recording of Ives’s Concord Sonata and Songs received a Grammy Award in 2005 and several other recordings have received Grammy nominations. Autumn 2011 saw the release of ‘The Liszt Project’–Aimard’s two solo discs featuring the music of Liszt alongside the music of Berg, Bartok, Ravel, Scriabin and Messiaen as well as a work by Marco Stroppa.
Tuesday, March 13, 2018 - 8:00 PM
Perelman Theater, Kimmel Center, 300 South Broad Street
Philadelphia, PA 19102
Obukhov: Création d'or
Liszt: Nuages gris
Liszt: Les jeux d’eaux à la Villa d’Este
Messiaen: Le Courlis Cendré, from Catalogue d'oiseaux
Scriabin: Piano Sonata No. 5, Op. 53
Beethoven: Piano Sonata in B-flat Major, Op. 106, Hammerklavier
This performance features a free pre-concert lecture starting at 6:45 PM with Jeffrey Kallberg
H. Holliger: Elis, Three Nocturnes for Piano
Schumann: Symphonic Etudes
Debussy: Préludes, Book II
Chopin: Barcarolle in F-sharp Major, Op. 60
Chopin: Scherzo in B-flat Minor, Op. 31
“Mr. Aimard's power and precision illuminated the work's steely architecture.”
“Aimard is a master of fine gradations of color and weight”