Carl Nielsen

Post-Romantic Danish composer Carl Nielsen was born in 1865, the son of a painter and village musician. Childhood experience as an amateur performer led to subsidized study at the Copenhagen Conservatory and a long career during which he developed his own personal style of composition, in particular in a series of important symphonies. Nielsen’s 1922 Wind Quintet is a particularly pleasing element in chamber-music repertoire for wind.

Nielsen studied at the Royal Conservatory in Copenhagen from 1884 to 1886. He was a violinist in the court orchestra at Copenhagen intermittently from 1886 to 1905. He subsequently served as Kapellmeister at the Royal Theatre (1908—14) and conductor of the Copenhagen Musical Society (1915—27), and from 1915 he taught at the Royal Conservatory, where he became director in 1931, shortly before his death.

Romanticism influenced Nielsen’s early music, but his later style is a powerful fusion of chromatic and often dissonant harmony, solid contrapuntal structure, concentrated motivic treatment, and bold extensions of tonality with frequent polytonal passages. His six symphonies, written between 1890 and 1925, are forceful works that feature decisively articulated tonal progressions. The best known of these symphonies are Symphony No. 2 (1902; The Four Temperaments), Symphony No. 3 (1911; Sinfonia Espansiva), and Symphony No. 4 (1916; The Inextinguishable). He also wrote three concerti–for violin (1911), flute (1926), and clarinet (1928); and Maskarade (1906); four string quartets, two quintets, and choral and keyboard works. His songs based on Danish folk traditions are particularly highly regarded.