Frank Bridge

Frank Bridge studied violin and composition at the Royal College of Music, graduating in 1904. Bridge quickly established a reputation as a gifted violist and conductor. In 1906, he played with the Joachim Quartet, and he was a member of the English String Quartet through 1915. He conducted some operas at the Savoy Theatre and Covent Garden, and when Sir Thomas Beecham organized his New Symphony Orchestra in 1906, he named Bridge as his assistant. Bridge also befriended Sir Henry Wood and occasionally substituted for him as conductor at Queen's Hall. During this period, Bridge was writing mostly chamber music and songs. His few orchestral works of the time were much influenced by the French Impressionists; the first of them to become part of the standard repertoire was the suite The Sea.

World War I was a traumatic time for Bridge, a well documented pacifist. One can hear more dissonance and darkness creeping into such works as the Cello Sonata in D minor and the Quartet No. 2 in G minor. After several years of near-silence, Bridge's next big work signaled a large shift in style. The Piano Sonata was written in memory of composer Ernest Farrar, who was killed in action in France, in 1917. In it, one hears considerably more dissonance, abrupt changes of mood and tempo, and a more angular and aggressive sound. This stylistic evolution continued in works like the third and fourth string quartets.

In his later years, Bridge focused some of his time on private teaching. Certainly his best-known pupil was Benjamin Britten, who was an 11-year-old prodigy when Bridge met him in 1924. Britten retained a great affection for his teacher, and paid tribute to him in the Variations on a Theme of Frank Bridge, based on the second of the latter's Three Idylls for String Quartet. Britten was also partly responsible for the subsequent interest in Bridge's music.

Among Bridge's later compositions were a lovely opera, The Christmas Rose, as well as several important chamber and orchestral works.