Brentano Quartet
Joseph Conyers, double bass
Jonathan Biss, piano

Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim.  “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism.”

Within a few years of its formation, the Quartet garnered the first Cleveland Quartet Award and the Naumburg Chamber Music Award and was also honored in the U.K. with the Royal Philharmonic Award for Most Outstanding Debut. Since then, the Quartet has concertized widely, performing in the world’s most prestigious venues, including Carnegie Hall in New York; the Library of Congress in Washington; the Concertgebouw in Amsterdam; the Konzerthaus in Vienna; Suntory Hall in Tokyo; and the Sydney Opera House.

In addition to performing the entire two-century range of the standard quartet repertoire, the Brentano Quartet maintains a strong interest in contemporary music, and has commissioned many new works. Their latest project, a monodrama for quartet and voice called Dido Reimagined, was composed by Pulitzer-winning composer Melinda Wagner and librettist Stephanie Fleischmann, and had its premiere in spring 2022 with soprano Dawn Upshaw.  Other recent commissions include the composers Matthew Aucoin,  Lei Liang, Vijay Iyer, James Macmillan, and a cello quintet by Steven Mackey (with Wilhelmina Smith, cello.)

The Brentano Quartet has worked closely with other important composers of our time, among them Elliot Carter, Charles Wuorinen, Chou Wen-chung, Bruce Adolphe, and György Kurtág.  They have also been privileged to collaborate with such artists as soprano Jessye Norman, mezzo-soprano Joyce DiDonato, and pianists Richard Goode, Jonathan Biss, and Mitsuko Uchida. The Quartet has recorded works by Mozart and Schubert for Azica Records, and all of Beethoven’s late Quartets for the Aeon label. In 2012, they provided the central music (Beethoven Opus 131) for the critically-acclaimed independent film A Late Quartet.

Since 2014, the Brentano Quartet has served as Artists-in-Residence at the Yale School of Music. They were formerly the Ensemble-in-Residence at Princeton University, and were twice invited to be the collaborative ensemble for the Van Cliburn International Piano Competition.

The Quartet is named for Antonie Brentano, whom many scholars consider to be Beethoven’s “Immortal Beloved”, the intended recipient of his famous love confession.

Joseph H. Conyers was appointed assistant principal bass of The Philadelphia Orchestra in 2010 and has been acting associate principal since 2017. He joined the Orchestra after tenures with the Atlanta Symphony; the Grand Rapids Symphony, where he served as principal bass; and the Santa Fe Opera Orchestra.

Described by the Grand Rapids Press as “a lyrical musician who plays with authenticity that transcends mere technique,” Mr. Conyers has performed with many orchestras as soloist, including the Alabama Symphony, the Flagstaff Symphony, the Richmond Symphony, the Chamber Orchestra of Philadelphia, and the Sphinx Symphony, having won second prize at the 2004 Sphinx Competition in Detroit. In 2008 John B Hedges wrote a concerto for him, Prayers of Rain and Wind, commissioned by the Grand Rapids Symphony.

As a chamber musician, Mr. Conyers is an artist of the Chamber Music Society of Lincoln Center. Other chamber music festivals and collaborations have included the Ilumina Festival (Brazil), the Savannah Music Festival (GA), the Charlottesville Chamber Music Festival (VA), the Kingston Chamber Music Festival (RI), the Lexington Chamber Music Festival (KY), and the Festival Internacional de Música de Esmeraldas (Ecuador) with such artists as James Ehnes, Daniel Hope, and members of the Emerson String Quartet.

Mr. Conyers received his bachelor’s degree from the Curtis Institute of Music, where he studied with both Harold Robinson, principal bass of The Philadelphia Orchestra, and double bass soloist Edgar Meyer. Other mentors have included David Warshauer, principal bass of the former Savannah Symphony; Daniel Swaim; and Albert Laszlo.

Committed to education and community engagement through music, Mr. Conyers served as adjunct faculty at Calvin College (MI) and Clark Atlanta University; he is currently on the faculty of Temple University in Philadelphia. He is the recipient of numerous awards and honors, including the 2019 Sphinx Organization Medal of Excellence, an honor accompanied by a substantial career grant and ceremonies at the Kennedy Center and the Supreme Court of the United States.

Jonathan Biss is a world renowned pianist who channels his deep musical curiosity into performances and projects in the concert hall and beyond. In addition to performing with today’s leading orchestras, he continues to expand his reputation as a teacher, musical thinker, and one of the great Beethoven interpreters of our time. He is Co-Artistic Director alongside Mitsuko Uchida at the Marlboro Music Festival, where he has spent fifteen summers. He also recently led a massive open online course (MOOC) via Coursera, reaching an international audience of over 150,000. Biss writes extensively on his repertoire and has authored four audio- and e-books, including UNQUIET: My Life with Beethoven (2020), the first Audible Original by a classical musician and one of Audible’s top audiobooks of 2020.

During the 2022-23 season, Biss gives solo recitals in cities including Cologne, New York, and Philadelphia, performing works by Berg, Schumann, and Schubert; he performs Beethoven trios with Midori and cellist Antoine Lederlin in Cologne, Engardin, Hamburg, London, and Tokyo; and appears as soloist with the Atlanta Symphony, Budapest Symphony, and the Rochester Philharmonic, as well as with the New York String Orchestra at Carnegie Hall playing Beethoven’s Piano Concerto No. 5 (“Emperor”).

Throughout his career, Biss has advocated for new music. This year he continues his ongoing Beethoven/5 commissioning project, in association with the Saint Paul Chamber Orchestra, that pairs each Beethoven concerto with a new concerto composed in response. This season, he performs Beethoven’s Piano Concerto No. 5 paired with a piano concerto inspired by that work: Brett Dean’s Gneixendorfer Musik– Eine Winterreise in its U.S. premiere with the SPCO, as well as both concertos with the Melbourne Symphony. Biss has performed the Dean and fifth Beethoven concertos together in concerts with the Dresden Philharmonic, NFM Wrocław Philharmonic, and Swedish Radio Symphony Orchestra. He has also performed the Dean concerto separately with the BBC Symphony Orchestra. Among the earlier Beethoven/5 commissions are Caroline Shaw’s Watermark, inspired by Beethoven’s Piano Concerto No. 3; Timo Andres’s The Blind Banister (a finalist for the Pulitzer Prize in Music) inspired by the second piano concerto; Sally Beamish’s City Stanzas paired with Beethoven’s first piano concerto, and Salvatore Sciarrino’s Il Sogno di Stradella paired with the fourth. Prior to the Beethoven/5, project Biss commissioned Lunaire Variations by David Ludwig, Interlude II by Leon Kirchner, Wonderer by Lewis Spratlan, and Three Pieces for Piano and a concerto by Bernard Rands, which he premiered with the Boston Symphony Orchestra. He has also premiered a piano quintet by William Bolcom.

In 2020, coinciding with the 250^th anniversary of Beethoven’s birth, Biss concluded over a decade-long immersion in the composer’s music, which included concert series, recordings, writings, lectures, and commissions of Beethoven-inspired works. Through the course of his Beethoven study, Biss recorded the composer’s complete piano sonatas, and offered insights to all 32 landmark works via his free, online Coursera lecture series Exploring Beethoven’s Piano Sonatas. His final Coursera installments appeared in January 2020, and Orchid Classics released the nine-disc sonata cycle box set the following March. That same month, in a virtual recital presented by the 92^nd Street Y, Biss performed Beethoven’s last three piano sonatas for an online audience of more than 280,000 people, one of the first major at-home concerts of the early pandemic era. This was followed by a daily video series of selections from the Beethoven sonatas presented via Biss’s Facebook page over the course of several weeks.

Biss’s endeavors represent his complete approach to music-making, and desire to imbue audiences with his own passion for music. Previous projects included an exploration of composers’ “Late Style” in various concert programs at Carnegie Hall, the Barbican Centre, Philadelphia Chamber Music Society, and San Francisco Performances. He also gave master classes at Carnegie Hall and published the Kindle Single Coda on the topic. His previous Kindle Singles also include Beethoven’s Shadow, and A Pianist Under the Influence, the latter of which coincided with his project Schumann: Under the Influence,a 30-concert exploration of the composer’s role in musical history, and recording of Schumann and Dvořák piano quintets with the Elias String Quartet.

Biss represents the third generation in a family of professional musicians including his grandmother Raya Garbousova, one of the first famous female cellists (for whom Samuel Barber composed his Cello Concerto), and his parents, violinist Miriam Fried and violist/violinist Paul Biss. Growing up surrounded by music, Biss began his piano studies at age six, with his first musical collaborations alongside his mother and father. He studied with Evelyne Brancart at Indiana University and Leon Fleisher at the Curtis Institute of Music. He has since appeared with major orchestras internationally, including in the U.S. with the Los Angeles and New York Philharmonics; the Boston, Chicago, and San Francisco Symphonies; and the Cleveland and Philadelphia Orchestras. In Europe, he has appeared with the BBC Symphony, Royal Concertgebouw Orchestra, London Philharmonic, Staatskapelle Berlin, Staatskapelle Dresden, and Gewandhausorchester Leipzig, among many other ensembles.

Biss has been recognized with numerous honors, including the Leonard Bernstein Award presented at the 2005 Schleswig-Holstein Festival, Wolf Trap’s Shouse Debut Artist Award, the Andrew Wolf Memorial Chamber Music Award, Lincoln Center’s Martin E. Segal Award, an Avery Fisher Career Grant, the 2003 Borletti-Buitoni Trust Award, and a 2002 Gilmore Young Artist Award. His albums for EMI won the Diapason d’Or de l’Année and Edison awards. He was an artist-in-residence on American Public Media’s Performance Today and was the first American chosen to participate in the BBC’s New Generation Artist program. He is also on the piano faculty of the New England Conservatory.