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PCMS Concerts
  • Concerts
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pcmsconcerts

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Mar 23

Open
On Sunday (3/26), experience John Moore's "lustrous baritone" (Bachtrack) as he joins soprano Joélle Harvey at Benjamin Franklin Hall, with pianist Allen Perriello, for a recital of duo and solo works by Robert and Clara Schumann, Purcell, Crumb, Mozart, Wilder, Fauré, Chausson, Britten, Poulenc, Brahms, Granados, Mahler, Barber, Wolf, Grieg, and much more. This concert will also be livestreamed for all to enjoy on a pay-what-you-wish basis. Thank you for supporting the PMCS livestream!

On Sunday (3/26), experience John Moore`s "lustrous baritone" (Bachtrack) as he joins soprano Joélle Harvey at Benjamin Franklin Hall, with pianist Allen Perriello, for a recital of duo and solo works by Robert and Clara Schumann, Purcell, Crumb, Mozart, Wilder, Fauré, Chausson, Britten, Poulenc, Brahms, Granados, Mahler, Barber, Wolf, Grieg, and much more.

This concert will also be livestreamed for all to enjoy on a pay-what-you-wish basis. Thank you for supporting the PMCS livestream! ...

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pcmsconcerts

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Mar 22

Open
In February, PCMS had the pleasure of bringing the @imaniwinds to the Alain Locke School in West Philadelphia. The @lockelions learned about the different instruments in a woodwind quintet, heard some new and familiar pieces of music, and asked questions of the quintet members. Thank you to the Imani Winds for your engaging teaching and thank you to our partner, the Locke School, for having us - we can’t wait to return! @imaniwinds | @lockelions | @philly_schools

In February, PCMS had the pleasure of bringing the @imaniwinds to the Alain Locke School in West Philadelphia. The @lockelions learned about the different instruments in a woodwind quintet, heard some new and familiar pieces of music, and asked questions of the quintet members. Thank you to the Imani Winds for your engaging teaching and thank you to our partner, the Locke School, for having us - we can’t wait to return!

@imaniwinds | @lockelions | @philly_schools ...

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pcmsconcerts

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Mar 22

Open
Next Wednesday (3/29) at Perelman Theater, tenor Lawrence Brownlee presents RISING with pianist Kevin Miller. Secure your ticket by calling Bradford and Emily at our Box Office or visiting pcmsconcerts.org 🎟 "Convincingly performed by these two top-level artists, Rising made a powerful statement on behalf of African-American art songs. One can find much variety, breadth, and depth within it, even while knowing that beyond the 32 songs represented, there is much more art song by Black composers and poets that deserves to be explored" (EarRelevant). 📷 by Zakiyah Caldwell Burroughs - @kiacaldwellphoto

Next Wednesday (3/29) at Perelman Theater, tenor Lawrence Brownlee presents RISING with pianist Kevin Miller. Secure your ticket by calling Bradford and Emily at our Box Office or visiting pcmsconcerts.org 🎟

"Convincingly performed by these two top-level artists, Rising made a powerful statement on behalf of African-American art songs. One can find much variety, breadth, and depth within it, even while knowing that beyond the 32 songs represented, there is much more art song by Black composers and poets that deserves to be explored" (EarRelevant).

📷 by Zakiyah Caldwell Burroughs - @kiacaldwellphoto ...

7 1

pcmsconcerts

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Mar 21

Open
"With late Beethoven," says cellist Marie Bitlloch of the Elias String Quartet, "each piece is such a special journey, and when you perform them, they take on a life of their own. No matter how well we try to plan, they tend to go in a slightly different direction. That’s the beauty of chamber music, and the genius of Beethoven and all the composers we play." Don't miss the Elias Quartet's upcoming PCMS concert next Tuesday (3/28) at Perelman Theater.

"With late Beethoven," says cellist Marie Bitlloch of the Elias String Quartet, "each piece is such a special journey, and when you perform them, they take on a life of their own. No matter how well we try to plan, they tend to go in a slightly different direction. That’s the beauty of chamber music, and the genius of Beethoven and all the composers we play." Don`t miss the Elias Quartet`s upcoming PCMS concert next Tuesday (3/28) at Perelman Theater. ...

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pcmsconcerts

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Mar 20

Open
In her PCMS recital with Julius Drake, mezzo Fleur Barron "showed herself unafraid to move the expectations of classical music forward, linguistically, thematically, and culturally. It’s exactly the kind of creative freedom and curatorial insight the art form needs," writes Cameron Kelsall for Parterre Box. 📷: Fleur Barron & Julius Drake perform their March 12 PCMS Home(Land) recital. Photos by Alex Brown.

In her PCMS recital with Julius Drake, mezzo Fleur Barron "showed herself unafraid to move the expectations of classical music forward, linguistically, thematically, and culturally. It’s exactly the kind of creative freedom and curatorial insight the art form needs," writes Cameron Kelsall for Parterre Box.

📷: Fleur Barron & Julius Drake perform their March 12 PCMS Home(Land) recital. Photos by Alex Brown. ...

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pcmsconcerts

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Mar 20

Open
#MasterclassMoments Play on Philly students received chamber coaching from Imani Winds’ Brandon Patrick George, flute, and founding member Monica Ellis, bassoon. Thank you to the Imanis for their thoughtful and joyful teaching! @playonphilly | @imaniwinds | @brandonpatrickgeorge

#MasterclassMoments Play on Philly students received chamber coaching from Imani Winds’ Brandon Patrick George, flute, and founding member Monica Ellis, bassoon. Thank you to the Imanis for their thoughtful and joyful teaching!

@playonphilly | @imaniwinds | @brandonpatrickgeorge ...

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pcmsconcerts

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Mar 19

Open
Next Sunday (3/26) at Benjamin Franklin Hall, soprano Joélle Harvey returns to PCMS for her recital debut alongside baritone John Moore with pianist Allen Perriello. Harvey's “evenly weighted, luminous, liquid soprano” (New York Times) graces solo and duet repertoire that centers around the seasons. Join us in person or online via the pay-what-you-wish PCMS livestream!

Next Sunday (3/26) at Benjamin Franklin Hall, soprano Joélle Harvey returns to PCMS for her recital debut alongside baritone John Moore with pianist Allen Perriello. Harvey`s “evenly weighted, luminous, liquid soprano” (New York Times) graces solo and duet repertoire that centers around the seasons. Join us in person or online via the pay-what-you-wish PCMS livestream! ...

6 0

pcmsconcerts

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Mar 18

Open
#MasterclassMoments Pianist Richard Goode instructs @curtisinstitute of Music student Avery Gagliano on her performance of Schubert’s Sonata in A Major, D. 959.

#MasterclassMoments Pianist Richard Goode instructs @curtisinstitute of Music student Avery Gagliano on her performance of Schubert’s Sonata in A Major, D. 959. ...

41 1

pcmsconcerts

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Mar 18

Open
We loved tonight’s encore: “Streets of Philadelphia” by Bruce Springsteen, à la Jupiter Ensemble ❤️

We loved tonight’s encore: “Streets of Philadelphia” by Bruce Springsteen, à la Jupiter Ensemble ❤️ ...

293 5

pcmsconcerts

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Mar 16

Open
On March 29th, tenor Lawrence Brownlee returns to PCMS with a new recital entitled "Rising" that highlights new new by African-American composers with text drawn from the great poets of the Harlem Renaissance. Tickets are still available, and you won't want to miss this: Following his performance of "Rising" earlier this month, The Boston Globe praised "Brownlee’s ardent rendition of Shawn E. Okpebholo’s dreamy, sensual “Romance”; almost all the commissions are worthy of repeat performances by as many singers as will take them on, but “Romance” will be a tall order for anyone who doesn’t have Brownlee’s expressive nuance and extensive high range."

On March 29th, tenor Lawrence Brownlee returns to PCMS with a new recital entitled "Rising" that highlights new new by African-American composers with text drawn from the great poets of the Harlem Renaissance. Tickets are still available, and you won`t want to miss this:

Following his performance of "Rising" earlier this month, The Boston Globe praised "Brownlee’s ardent rendition of Shawn E. Okpebholo’s dreamy, sensual “Romance”; almost all the commissions are worthy of repeat performances by as many singers as will take them on, but “Romance” will be a tall order for anyone who doesn’t have Brownlee’s expressive nuance and extensive high range." ...

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